Heliophage


Reviews of The Planet Remade
November 3, 2015, 1:50 pm
Filed under: Uncategorized

As of today, November 3rd, The Planet Remade is available in America, from Princeton University Press, as well as the UK, where it’s published by Granta (Amazon UK|US, Google Books for other sellers). Here’s a tally of reviews so far.

Kirkus gave it a starred review:

Once dismissed as the province of cranks, geoengineering approaches to climate change have gained new respectability…An important account of cutting-edge research that will fascinate serious readers and demand the attention of policymakers.

Bryan Appleyard in The Sunday Times (£) found it:

Ambitious, enthralling and slightly strange.

(He locates the strangeness partly in an avoidance of gosh-wow science about mirrors in space)

Jane Long in Nature (which I thought was paywalled, but seems not to be) says:

If you are going to read one book on climate engineering, it should be The Planet RemadeThe Planet Remade is as much an exploration of science and engineering as it is of people and attitudes… [with] insight gleaned from knowledge of the natural world, social thought, literature and science fiction, science and politics, scientific history and the scientists making that history…For a potentially harrowing topic, serendipity and fun abound.

Robert Mayhew in The Literary Review is thoughtful and positive, but not unreservedly so in that he thinks I avoid “the deeper political and moral questions” (I differ on this):

Morton is a cautious cornucopian about the potential of geoengineering. From his perspective, we have over the past century made massive strides in our understanding of the earthsystem. Indeed, one of the most interesting elements of The Planet Remade is that it offers fragments towards a history of our understanding of how the earth’s climate functions, which hopefully Morton may consolidate in future writing. Emerging from this historical approach is the most arresting and interesting claim in the book: rather than imagining geoengineering as something new, hubristic and Promethean being devised in the face of impending climatic Armageddon, we ought to recognise that humankind has been geoengineering for decades and that over the longer term it has been a normal part of modern societies. The main distinction of today’s geoengineering is that it offers the potential to make interventions in the biogeochemistry of the planet in ways that are more sensitive to the functioning of the earthsystem than ever before.

To make good on these claims, Morton shows us in the second part of the book that we have made huge adjustments to the carbon, sulphur and nitrogen cycles of the planet.

And here’s Robin McKie in The Observer, combining his review with one of “Atmosphere of Hope” by Tim Flannery (Amazon US|UK), using the frame of the Paris conference to get to the heart of the matter:

Only by actively limiting solar radiation and by removing carbon dioxide from the atmosphere can we hope to curtail temperature rises, [Morton] argues. This is the science of geo-engineering and it is controversial because such projects – which include spraying sulphur particles in the upper atmosphere to cut out sunlight – risk worsening, rather than improving our world. Morton is no zealot, however, and his arguments are intriguing and persuasive.

My thanks to all the reviewers for engaging with the book so thoughtfully. As more reviews come in I will either lengthen this post or do some separate ones to which I will link here.



Talking about The Planet Remade online
November 3, 2015, 1:48 pm
Filed under: Uncategorized

I’ve done various interviews and discussions related to The Planet Remade (Amazon UK|US, Google Books for other sellers) : this post collects the links, should anyone wish to listen.

Here’s an interview that went out on Newshour from the BBC World Service. If you want a sense of what it’s all about in less than five minutes, this is probably your link.

Here’s a discussion of uncertainty in various guises on BBC Radio 4’s Start the Week that features me, Matthew Syed (author of Black Box Thinking), Helga Nowotny (author of The Cunning of Uncertainty) and David Willetts (author of The Pinch), very thoughtfully brought together by Tom Sutcliffe.

Here’s a Guardian podcast. As well as me, reading an extract and chatting with Richard Lee (starts at 14:00) there’s also Gaia Vince winning the Royal Society’s Winton Prize for Science Books for her excellent Adventures in the Anthropocene (and bemoaning the horrors of sitting at a desk that was opposite mine at the time!) and a review of Morissey’s novel.

Here’s an Economist podcast in which I talk about the book with my colleague Lane Greene.

And here’s an episode of Radio 4’s Inside Science that was recorded at the very delightful Write on Kew literary festival in Kew Gardens. As well as me there’s Kew’s Director of Science, Kathy Willis; Ilia Leitch, who works on the absurdly large genomes that some plants contrive to maintain, and Aaron Davis, who looks at how coffee is going to fare in a hotter world, all under the watchful eye of Adam Rutherford.

Many thanks to all the hosts, interviewers and producers involved. I’ll probably update this post as and when.



The Planet Remade

So, I meant to set up a new website and everything, but what with, well, you know, stuff, I haven’t quite got round to it. And right now, I am away on holiday. But this doesn’t mean I am not immensely proud of and excited by my new book, “The Planet Remade: How  Geoengineering Could Change the World”, published by Granta in the UK on October 1st and by Princeton University Press in the US on November 3rd. Here’s the Kirkus review, which is the only one out yet. It concludes:

An important account of cutting-edge research that will fascinate serious readers and demand the attention of policymakers.

But I should add that frivolous readers are utterly sure to find stuff in it for them, too.

Other people have said some nice stuff, too, when asked to by me or the publishers (a lot of it is at the publishers’ links above). I am fond of and grateful for this from Marek Kohn:

Written with the grace and clarity its subject demands, The Planet Remade offers just what the issue of climate change needs: fresh thinking about what can be done, based on deep respect for the planet, the science, and the concerns of people with differing points of view. It’s an enriching addition to the literature of possible worlds.

And the Samuel Johnson Prize, rather fabulously, has put the book on its longlist.

As with Eating the Sun, I’ll be posting links to all the reviews that I see. But not til we get back from our holiday.

You can pre-order/buy on Amazon UK, pre-order on Amazon US, or buy it from a bunch of other places.

If you’d like to hear me talk about this stuff, here are some places where I will be doing so in the UK over the next month; more will follow, along with US dates early in 2016. Or you could try this podcast from The Guardian



Places to see me
September 16, 2015, 2:12 pm
Filed under: Books

So, The Planet Remade is coming out on October 1st, if you live in the UK, or November 3rd, if you are in the US. You can pre-order through Amazon (UK|US) or a number of other sites. To help spread the word about this I will be making various appearances at literary festivals and the like. Here’s the list as of mid September. Do come along if you can

September 25th: I’m part of the inaugural Write on Kew festival. I’ll be in conversation with Jonathan Drori (@JonDrori) at 12:30 (details and tickets). Then at 19:30 I’m part of a special edition of Radio 4’s Inside Science, a panel at Kew that will be broadcast, I believe, the following week (for tickets email writeonkew@kew.org with BBC Inside Science in the subject line. Sold out!)

October 10th: I’m part of a panel on “What Happens Next”, part of the London Literature Festival at the Southbank at 14:00 (details and tickets). The other panellists are Eve Poole (@evepoole) and Mahesh Rao. The website says it is moderated by Sarfraz Manzoor but I have reason to believe that his place is in fact going to be taken by my dear colleague Emma Hogan (@hoganem)

October 11th: A discussion called “Our Sunburned Planet” at the Cheltenham Literature Festival with Nathalie Bennet of the Green Party (@natalieben) and my friend Chris Rapley (@ChrisRapley3131) at 18:45 (details and tickets). Earlier that day I expect to be in conversation with Simon Winchester about his new book Pacific: The Ocean of the Future (details and tickets)

October 16th: The Ilkely Literature Festival, at 19:30: this one seems at the moment to be just me! (details and tickets)

October 25th: The Manchester Literature Festival, where I believe I will be in conversation with Jo Bell (@Jo_Bell) at 16:00 (details and tickets). Earlier that day there will be events with writers from the nature-themed issue of Granta magazine that will by then be out and with Sarah Hall and George Monbiot. And here is Jo Bell’s lovely poem Doggerland.

I’ll add more dates as more come up: events in the US will probably be in January and February



David Raup, RIP
July 16, 2015, 5:15 pm
Filed under: By, Eating the Sun | Excerpts, etc, with or from EtS

The great palaeontologist Dave Raup has died: here’s the NYT obit:

An audacious theorist widely viewed as among the most singular thinkers in his field — Stephen Jay Gould once referred to him as “the world’s most brilliant paleontologist” — he made his mark in the computer laboratory and in published works rather than in the literal dust of history.

He never dug up a dinosaur and was the first president of the Paleontological Society, an international professional association founded more than a century ago, never to have formally described a new species in the scientific literature. His ideas, however, helped transform the study of the history of life on earth.

I met him pretty early on in my career, and found him fascinating and generous with his time. He’s in part responsible for my subsequent fascination with asteroid impacts. There’s an account of my first encounter with him in Eating the Sun: I’ll paste it below.

But first a little detail that I found fascinating. To me in the 1980s, Raup was immensely forward looking, breaking the bounds of what palaeontology could be. But he was also, in his time, stubbornly resistant to change. I remember him telling me that he rejected plate tectonics well into the 1970s, shocking students by showing them the famous Bullard Fit — a recreation of the Earth without the Atlantic, showing how well Africa and South America fit together — and then showing them a fit of his own devising that looked just as good — but had Africa upside down.

I don’t know the details of his dubiousness about  plate tectonics; I wish I did. They would have been highly unusual, I think, for a palaeontologist; as Naomi Oreskes’ brilliant “The Rejection of Continental Drift” points out, palaeontologists were well disposed towards believing in continental drift pre plate tectonics. The fact that, as had been the case with Kelvin and the age of the Earth, the people looking at fossils had been right and the physicists (whose arguments weighed most heavily in the pre-plate-tectonic rejection of continental drift) had been wrong has since then been one that palaeontologists have been happy to crow about whenever they are accused of being “mere stamp collectors”.

But while not understanding its basis, the very fact of Raup’s doubt in the matter seems to me to speak well of him. He was not just sceptical about the status quo. He was sceptical about the most successful overthrowing of a status quo in the history of his science. If he had just been someone who enjoyed seeing orthodoxy stood on its head he would have embraced plate tectonics straight away; coming of scientific age, as he did, in the 1960s, if he had been a mere contrarian, or a young man in a hurry, nothing would have been more natural than to have joined the storming of the barricades. But he was somehow unconvinced. And so he lined up with the conservatives and refuseniks.

More simply: he could be right big time; he could be wrong big time.

Anyway, my condolences to his wife, his colleagues, and his pupils. Continue below the break for the extract from Eating the Sun.

Continue reading



Gravity assists and precious encounters
April 19, 2015, 3:20 pm
Filed under: Published stuff, Science fiction

I see from twitter that my latest column for Intelligent Life is now online; it deals with gravity assists — specifically the one that got New Horizons to Pluto at such an impressive speed. Seeing it up prompted me to update the recently neglected home page for those columns which I keep here. There seem now to be over 20 of them – how time flies.

The column led my friend Bronislaw Szerszynski to share with me a poem he had written about the loss of someone close in which he used Jupiter gravity assists and planetary fly-bys as a metaphor. It’s rather lovely, and Bron has kindly given me permission I am posting it below:

Joy-bringer
(for Patrick)

I have lost count of the times
We plotted our orbit
To bring us close to you,
Our greatest wandering star.

Again and again we matched our pace
With yours along your path,
Then fell towards you,
Looped, quickened around you, by you,
Brief moons in your expansive skies,
Faces shining with your reflected light,
Then departing with course replotted and tales to tell.

Yet in those latter, remaining years,
With each flyby,
We saw you moved less
As we were moved even more:
Which was action, which reaction?
With each whip-crack of your ebbing revolve
We span faster, higher,
In the moment gifted to us by your mass.

Again and again we fell, and wailed –
But then soared, and laughed,
As you turned the talk
From closed, dismal stories to open jest,
From parabolic fall to hyperbolic flight.
By what magic, what alchemy,
Did you thus turn dread weight into light,
Gravity into levity?

We looked out of the port
And knew this was the last time
We would see your shining face.
But we will always recall your name:
Joy-bringer

— Bronislaw Szerszynski

[Soundtrack, should you wish it]


Nobel prize winners: one for my fellow hacks
April 1, 2015, 8:46 am
Filed under: Uncategorized

This isn’t really apropos of anything, but I got to thinking about the use I make or allow of “Nobel prize winning” in things I write and edit. Sometimes it is obviously relevant; when I wrote about Paul Crutzen’s intervention in the geoengineering debate in my book, the meaning the prize had for his stature made it germane; when I wrote about Haber and Bosch the irony, especially in the context of Alfred Nobel’s business, seemed worth pointing up. But are other mentions worthwhile, or fair. Or are they thumbs on the scale? For example, if one says that Hans Bethe was a Nobel prize winner and nearby have cause to mention John von Neumann without such an accolade, will the reader take it that Bethe was a bigger deal in some way? When I mention Sydney Chapman close to where I mention Crutzen, do readers take the fact that I can’t say Chapman got a Nobel as evidence that he wasn’t a scientist of like stature (which he surely was; I would love to learn why his amazing work wasn’t honoured*).

I think most of the time when we are writing about science and a Nobel prize winner crops up we mention the accolade just to make our story stand a little taller — we think it will matter to the reader. But in a news story, as opposed to a feature that has time to get into who’s who and what’s what, are we not also adding a bit of bias, suggesting that this is the person to take seriously in the debate? And is mention of a Nobel prize that isn’t really germane to the story, just to the past accomplishments of one player in it, really just a way of puffing things up?

There’s an added wrinkle when you think across disciplines. It seems to me that it is in some ways easier to get a Nobel prize (or “Nobel prize”) in economics than in the natural sciences; the size of the pool is just smaller. And the rhetorical weight an economics prize adds to statements that are more likely to be policy-germane is as great or greater. So should Nobel prizes be mentioned for economists? After all, the prize isn’t for general stature, or for likeliness to say true things. It is for a specific piece of work that may have no relevance to the matter at hand.

Anyway, it seems a vaguely interesting ethical/standards-and-practices issue for people in my line of work to consider. I doubt anyone else cares all that much, and it’s quite possible most of my colleagues don’t, either. And it may be that this is mostly just to say “Sorry, Robert Shiller, I needed to cut a line…”

*When I say that I would love to know this I mean I would love someone to tell me, or to happen across the info while looking for something else, not that I would love it enough to go and , like, do some research…



If smart drug makers were serious about their stuff…
March 4, 2015, 7:35 pm
Filed under: Uncategorized

Interesting article in Fusion about nootropics spurs the thought that if these companies think they are selling something that works, they should sell it in trial form. You’d get a blister pack with numbered wells, half containing the active product, half a placebo. You’d record — maybe through an associated app — whether you felt that day’s pill had worked or not. At the end of a month, or whatever, the company would unblind your blister pack for you and you’d get a sense of whether the days on which you had felt the drug had had an effect were days on which you had in fact taken it.

Best if you do it with a range of drugs — that way people can find the one that works for them (assuming individual responses vary). It’s all very citizen science rah-rah and win-win: the company ends up with a good rep among evidence-oriented types and knowing more about its product (maybe you get a discount if you share some genome data with the provider?); consumers get a product that they can have some faith in; sum of human knowledge is increased.



Boyhood v Birdman
February 22, 2015, 7:15 pm
Filed under: film

It’s interesting that for the first time in a long while there seems genuine doubt over which film will win best picture tonight. Guild voting says Birdman, Baftas say Boyhood — as did most everything else before the guilds voted. And there is room for reasonably people to have different opinion as to who will win best director and best actor, too.

My understanding of the Academy is far too meagre to allow me to think I can call any of these races. I have some preferences, though.

The Birdman Oscar I think I would most like to see (other than Lubezki’s, which I take to be a done deal) would be Keaton’s. I am old enough to like the idea of an oldest-ever best-actor Oscar, and it is a tremendous performance. Redmayne’s performance is terrific, too, and technically remarkable — but less moving and in the service of a far lesser film.

I’d be OK with Inarritu winning, too, though he wouldn’t be my first choice—as long as Birdman didn’t win best picture too. I think both Birdman and Boyhood are very fine films, but Boyhood is a singular achievement that deserves singular recognition. And beyond the remarkable way in which it was done — though no discussion can really avoid that — Boyhood seems to me to use the precision with which it sits in its setting to say something in a quasi universal way, whereas Birdman is less easily ported to other concerns. I would like to see it win and see Linklater win as director — but though Boyhood is clearly Linklater’s achievement, it seems to me an achievement that goes beyond what it is to direct something. So I’d be OK with Inarritu’s work as a director being recognised.

All that said, I rewatched Grand Budapest Hotel last night. If the way that the voting works sees it sneak up the middle in between the two B-beginning-bi-syllables and take the statue I think I might be quite happy. I think there’s a real chance of it being watched for longer and with more lasting pleasure than anything else on the list.

Update: Tom Shone, who is wiser, more tasteful and better informed than me, prefers Birdman (and indeed Redmayne). And the Predictinator says Guardians for VFX, which I would be fine with



20 films (and Interstellar)
January 5, 2015, 11:11 pm
Filed under: film

As ever, I am struck by how many new UK releases I wanted to see this year and which I believe were utterly fab I just didn’t get to (eg Leviathan, Winter Sleep, 20 feet from Stardom, Life Itself, The Overnighters, many more). But I saw 50 films in all, and I was rather pleased to find, looking at the list, that 20 of them had struck me as outstanding in one way or another. To wit:

12 Years a Slave — Tim’s Vermeer — Inside Llewyn Davis — Her — Nebraska — Grand Budapest Hotel — Under the Skin — Calvary — Locke — Edge of Tomorrow — Boyhood — Pride — Maps of the Stars — Ida — ‘71 — Citizen Four — The Babadook — Mr Turner — Nightcrawler — Birdman

You should probably assume that most of the UK releases you think were really good that aren’t on the list are things that I missed. The notable exception to that, I think, is Interstellar. I put this down largely to the fact that I saw it only once, on a really good Imax screen. I was blown away by some of it but also very aware of its story and structure weaknesses, and those, along with some other duff notes, stayed with me more than the being blown away did. People I respect have told me that seeing it again in 35mm lifts one’s appreciation, and I really meant to, but didn’t get round to it, and as a result when I saw it on the list I couldn’t really say it was a standout. I hope sometime soon to see it again and reach a measured conclusion that puts me closer in line with Tom Shone, though I would be surprised if I ended up liking it or admiring it as much as I did Inception.

I will however say something about the science. A huge amount has been written about the astrophysics, and the creation of new software to do relativistic ray tracing, and all that. I’m glad they made the effort even though aspects of the space travel stuff remain profoundly unconvincing. But the Earth-system science is atrocious to the point of demonstrating (and meriting) contempt. Some bollocks about a rust that breathes nitrogen? A notion that the Earth can run out of oxygen in just a few decades? It’s utterly ludicrous. If all photosynthesis stopped tomorrow the oxygen in the atmosphere would last for thousands of years.

This leads to three thoughts. One: a lot of people, both film makers and film discussers, think getting physics right, or at least seeming to or trying to, is in some way more important than getting the science of the earthsystem right. This shows, to my mind, strange priorities. The carbon cycle is a lot more easy to understand than general relativity and a lot more germane to terrestrial existence (yes, I know, GPS, OK). Why not take the small amount of trouble to get it right — or at least to fudge it with a modicum of respect?

Part of the answer is simply a sort of intellectual snobism: physics is proper hard science like what Einstein did, and Earth-system science is not. But another part (which is my second thought on the subject) is that people don’t take the trouble to get it right because they don’t feel they have to. The audience has no need to be told a convincing story about mechanisms because it has no trouble buying “the Earth is fucked” as an idea. Frederic Jameson has said that today it is easier to imagine the end of the world than the end of capitalism (interesting background on how he came to have said it here) and part of what that says to me is not so much that imagining the end of capitalism is hard but that it has become amazingly easy to imagine the end of the world, thanks to the practice we have been offered by the past half century of apocalyptic fiction, not to mention the threat of nuclear annihilation. We have come to a point where people just accept the apocalypse as an initiating device with no need for any argument whatsoever (though some nice CGI helps).

The third thought is that the film doesn’t need to provide end-of-the-world science because to the extent that the audience cares at all they assume that it is *really* about climate change, but the sensitivities of American marketing and an aversion to being seen as “a climate film” lead the film makers not to say so. On this reading the insulting implausibility of the apocalypse-as-explained might almost be a wink — “look, we can’t say ‘climate change’ but we’ll underline that we’re not saying anything else by making what we do say utter crap”. I don’t actually believe it is such a wink, but who knows. This, though, leads us back to thought two, by lazily conflating climate change — a huge geopolitical and humanitarian issue — with “the end of the world”,  a step that leads to talk of  climate action as “saving the planet”. And I really don’t like such talk. As I have said elsewhere:

The most important thing about environmental change is that it hurts people; the basis of our response should be human solidarity.

The planet will take care of itself.

(Gosh: for once a post about film ends up linking into the larger themes of this sorely neglected blog. What a pleasant surprise!)